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Music in Liturgy... Music at Trinity's 10:30 a.m. Sunday liturgy is primarily of a traditional nature, employing a variety of hymns, choral anthems and organ literature.  The choirs process with the Cross and clergy, and sing from the balcony where the pipe organ is located.  Hymns are treasured at Trinity, and congregational singing is full and energetic.  Psalms are sung frequently to Plainsong, Simplified Anglican Chant, and other settings both choral and participatory.  The Mass is sung occasionally by adult or child choristers, both of which ensembles often sing together in the liturgy.  Choirs sing in the liturgy every Sunday from September through July.  A few songs from our parish songbook are sung with organ during Communion, and on the fourth Sunday of most months a greater emphasis is given to contemporary music, with other instruments such as guitar, violin, and piano taking part.  September 8th marks the anniversary of an additional Sunday liturgy called "Celebration!", which will take place at 8:30 a.m. each week.  This liturgy gives a more informal expression of the Holy Eucharist, utilizing different instrumentalists and music with a more contemporary flavor.  From time to time, various groups and musicians from Myrtle Beach and the surrounding area will lead the music at "Celebration!", making it an exciting time of worship and praise in the context of the liturgical, sacramental tradition of the Episcopal Church.

Handbells... The Canterbury Bells, Trinity's handbell ensemble, ring three octaves of Schulmerich handbells regularly in the liturgy.  For those who wish to be an active part of the music ministry in the parish but do not sing, this is a fine venue.  A three-octave set of Malmark choir chimes are used in Trinity's children's music program. 

Choral Program for Adults... Trinity has a rich and vital choral program that is an integral part of the worship life of the parish.  The St. Augustine Choir of adults maintains an active schedule, singing in liturgies and performances throughout the year.  The choir's repertoire consists of a variety of sacred music:  from the Renaissance era to the 20th Century, from the great anthems of the English Cathedral tradition to large choral works with orchestra, such as its annual performance of Handel's Messiah with the Long Bay Symphony.  With its core of professional musicians, the St. Augustine Choir has become known as one of the finest choral ensembles in the area.       

Choral Program for Children... Music for children at Trinity is offered through a graded choir program affiliated with the Royal School of Church Music (England). Children in grades 3 and up may participate in the St. Cecilia Choir, which sings two Sundays a month and for other selected liturgies. 

         St. Cecilia                                         St. Cecilia Choir

Children ages 3-5 sing in the St. Francis Choir.  The St. Francis Choir now includes an exciting curriculum for music enrichment called "Musikgarten."  Curriculum for the two younger choirs incorporates the use of Orff instruments and Kodaly, with emphasis on early musical education through hands-on activities and exploration in Trinity's Music Atrium.

The William Johnson & Son "Centennial" Organ... November 11, 2001 marked the Sunday debut of the instrument that, God willing, will serve Trinity for many years:  the restored 1876 William Johnson & Son "Centennial" tracker pipe organ.  The 30-rank organ was rebuilt and restored by J. Allen Farmer of Winston-Salem, North Carolina who, with the help of Alan Laufman of the Organ Clearing House, discovered the instrument in a state of nearly complete disrepair in an inner city church in Dayton, Ohio.  Recognizing it for the musical treasure it had once been and could once again become, Farmer encouraged Trinity to purchase the organ and have it completely restored and rebuilt.  The instrument was dismantled and brought to Farmer's workshop, where restoration and rebuilding took place intermittently over the next several years until work was completed and the organ installed in October of 2001.  A festive and memorable Organ Dedication was held on November 30, 2001 featuring concert organist Stewart Wayne Foster and the choirs of Trinity Church.

The William Johnson & Son "Centennial" Pipe Organ was built in 1876 for the Presbyterian Church of York, PA. In the 1930s it was sold to First Methodist Church of Dayton, OH (although the casework did not go with the organ). By the early 1990s, urban flight and a nonexistent congregation led the church and organ to virtual collapse. The late Alan Laufman of the Organ Clearing House provided invaluable assistance to the organ committee of Trinity Church in locating several possible instruments that would fulfill its musical requirements. The church decided to purchase the Johnson and in 1993, commissioned the firm of J. Allen Farmer, Inc. to move and store the organ until further plans were made. By 1998, discussions were complete and the restoration project started in earnest. All of the Johnson's pipe work and interior parts were cleaned, repaired and restored to their original condition. This alone involved thousands of man hours working with pieces weighing over 1/4 ton to tiny moving wooden strips (trackers) fitted to tolerances of less than a 1/2 of a millimeter. It was also decided to add several new stops to the organ, based upon historical examples. This included a Great Cornet III and Clarion 4' and an impressive new detached console built in the Johnson style. This console arrangement allows the advantage of retaining the original mechanical key action with the convenience of conducting the choir grouped around the organist. The Clearing House is also responsible for locating the magnificent Greek Revival case now housing the organ. It was built in 1863 by another well-known American builder, Henry Erben of New York City, for a now demolished Catholic church in Baltimore, MD. After decades of gathering dust in a New Hampshire barn, it has been restored to its original appearance. Made of plain pine boards, the panels have been faux-grained, the columns marbleized and the capitals gilded with 23k German gold. In fact, over 5,000 sheets of gold were used in the facade pipes and case!

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